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Brazilian designer and researcher. Currently Assistant Professor at IE School of Architecture and Design. Visiting Lecturer at EINA (UAB). PhD in Fine Arts, specialized in Contemporary Drawing (Univ. Lisbon, 2024). Extensive experience in interdisciplinary design disciplines both in academic and professional environments.

During my PhD, I co-created, coordinated and curated "5 Minutes of Drawing" (FBAUL), a research project funded by the Foundation for Science and Technology (Portugal). I am currently a member of the research project "Sensclusion: Sense of Place and Sociospatial Inclusion in Vulnerable Neighborhoods," funded by the Ministry of Science, Innovation, and Universities (Spain). I am also the curator of IE School of Architecture and Design lecture series, bringing together voices from global North and South.

Over the past years, I've lectured at design and architecture institutions such as ETSAB in Barcelona, and at events such as Madrid Design Festival or Barcelona Dibuixa. Previously to academia, I spent for over 8 years working as a designer and producer at Google, Roche, and startups in Latin America and Europe. 





(Brazil, 1989) Designer, Educator and Researcher. Assistant Professor at IE School of Architecture and Design and Visiting Lecturer at EINA (UAB). PhD in Fine Arts, University of Lisbon. 



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GERDA TARO SQUARE IN BARCELONA


This project was made in collaboration with MITO COLLECTIVE.

Women, despite the progress achieved in recent decades, continue to be rendered invisible in various areas of everyday life, especially in public and representational spaces. This absence is the result of a series of practices and omissions that have historically relegated women to a secondary role.

MITO#21, within the framework of the SENSCLUSION* project, works on these issues together with the Memory and Gender Commission of the Sant Martí district of Barcelona, a collective space that promotes participatory processes to recover the historical memory of women and contribute to the symbolic transformation of the city.

The project has focused on renaming Theolongo Bacchio Square —a historical figure of questionable existence— in order to introduce the name Gerda Taro, a pioneering photojournalist who documented the Spanish Civil War. This initiative brings into dialogue two forms of invisibility: that of a possibly fictional character occupying public space, and that of a real woman who practiced her profession under a male pseudonym. Considered a key figure in the early days of modern photojournalism, Gerda Taro worked alongside her former partner Endre Friedmann, often under the shared identity of Robert Capa, which contributed to obscuring her authorship for decades.

In this context, we participated in the presentation event of the new Gerda Taro Square, in collaboration with the Memory and Gender Commission, with the screening of a video created by Pablo Coronado jointly with the theater group of the Àmbar Prim Women’s Association, a local organization involved in the fight for women’s visibility and rights. The event also features war journalist Marc Marginedas as a patron.

This process, despite its transformative nature, has not been without tensions. Some voices in the neighborhood have expressed reluctance toward the change from a more conservative perspective, highlighting that the contest over memory and representation in public space remains an important and ongoing debate.














“Sense of place and socio-spatial inclusion in vulnerable neighborhoods” (PID2021-123255OB-I00), Ministry of Science, Innovation and Universities of Spain.
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